The New York Times hailed Ashraf Sewailam’s début at Lincoln Center’s Avery Fisher Hall as a “stand out performance” and Opera News described his voice as “purring and velvety with an easily produced Ramfis-like top range with a majestic tone,” and his stage presence as “strong, mysterious and with mesmerizing intensity.”

Mr. Sewailam began his career as a Cairo Opera Company house soloist, where he performed many roles including Dulcamara in L’elisir d’amore, Gaudenzio in Il signor Bruschino, Ramfis in Aïda, Palémon in Thaïs, and Sparafucile in Rigoletto. Mr. Sewailam was named a prize winner at the New Voices (Neue Stimmen) international competition in Gütersloh, Germany and was featured in the opening concert of the New Alexandria Library singing Beethoven’s Symphony No. 9 in Arabic. This coming season he will make his mainstage Metropolitan Opera debut in The Magic Flute as well as join their production of Ariadne auf Naxos.  In addition, he will return to Seattle Opera as Colline in La bohéme, join Tulsa Opera for their production of Salome, and made take on the title role of Maometto II for Washington Concert Opera. Engagements in 2020 were to include both Carmen and Les Contes d’Hoffmann at the Metropolitan Opera as well as Don Magnifico in La Cenerentola with Minnesota Opera, and Ramfis in Aida with Virginia Opera.